A few weeks ago, strolling the creek bank through our forest, I collected debris like twigs, dried plants and fallen bark, with the idea of filling a concertina book with their prints. There was, sadly, also a good number of feathers from birds that had provided area red tail hawks with dinner.
Rather than using a traditional brayer I've had better luck inking plant material with one of those 4-inch white foam rollers from the house paint store.
And, if using Akua brand inks, which only dry through absorption, the rollers never dry out. Just slip them in a plastic bag to keep dust-free and months later they're still soft, pliable and ready to be re-used.
This is cedar, printed with a mix of red oxide and vermillion. I printed by hand, applying pressure with a Speedball hard rubber roller (the black one). Press firmly, make one pass and resist going over the print again! In the right-hand sample you can spot the smudging from a second pass.
Below, a feather in the blue ink I'd mixed a while back. I was printing on brown wrapping paper, newsprint and other found papers. My palette was going to be this blue, the mixed red and a yellow ochre.
Quite quickly, I was entranced with the feathers and abandoned the plant material.
I use newsprint to protect the blankets when I'm printing on the etching press and I save them. Here was one of those happy accidents where the random outline of ink on the newsprint made an interesting background. After that, I started looking for backgrounds to print on. As always, one thing leads to another and where you end up wasn't where you planned to go!
Over several days I made about 100 prints and I don't think I'm done yet. I'll keep playing around re-inking the feathers, using assorted paper and choosing backgrounds. As always, if anything comes of this, I'll let you know. I might even get that concertina book filled...
Meanwhile, here's a short video of prints drying on the line. If you have trouble viewing the video, click on the post title to view in your browser.